In the heart of the gallery rue de la Verrerie, Olivier Saillard invites us to a face-to-face confrontation between the two masters of the cut. Azzedine Alaïa had the opportunity to recover models from Cristobal Balenciaga, when he decided to close his Haute Couture house in 1968 in opposition to the advent of ready-to-wear.

The Guimet Museum regularly presents high-quality exhibitions dedicated to textiles. The heritage it recently inherited gives it the opportunity to repeat this with a selection of creations from the donation of 1,300 pieces from the collection of Lee Young-hee (1936-2018).

The new and vast exhibition at the Musée des Arts Décoratifs features a varied and complete universe: shoes. Like any wardrobe element, it has multiple uses, users, shapes and decorations.

Embroidery from the Middle Ages is featured in the Cluny Museum. It is very rare to see such ancient textile works on display. Indeed, fabric is one of the most delicate materials among the heritage of ancient decorative arts.

At a period in which we are taking a closer look at the creative processes to question them: eco-responsible, sustainable, local, artisanal

The nave of the Musée des Arts Décoratifs is dedicated this autumn to the world of a collector from the 1930s. The furniture designed by Rulhman, the jewellery of the Chaumet house or the seats of Le Corbusier all have the particularity of taking place in an unusual environment: India of the Holkar dynasty under British government.